Within the layer-specific mode, you can analyse clipping on specific elements before they are added to your final composite.ĭon't lose precious detail to clipping. The RGB parade waveform view is the best scope for easy color correction and balance in 'blacks', 'mids' and 'whites'. In the layer-specific view setting, you can even compare channel separation for green screen work. See your world in black and white levels to identify areas requiring brightness correction. See when color has been removed, how much tint you're adding and what color you need to achieve the ideal white balance. Vectorscope precisely identifies skin tones so you can adjust coloring and saturation. You can even render out your Scopes panel on a layer. With each version, HitFilm Express keeps resetting the standard for what free video software should offer, so that both newcomers and old hands can hit the ground running.Get a detailed look at the color elements and grading in your footage with the Scopes Panel. Other updates to text, panels, exports, and effects enhance the program’s usability and flexibility, and are easy to grasp, so novice video editors won’t face too steep a learning curve. While I found the new interface a bit irritating, $9 isn’t much to spend to get the dark interface, as well as other enhancements. HitFilm Express 14 is a significant upgrade over previous versions, with the most noticeable changes being its new “light” interface, and a new fee structure for those who don’t mind paying for additional features. A handy new Favorites folder lets you quickly find your favorite and most-used effects. Certain effects – like Chroma Key, particle effects and Light Flares – can be positioned at a specific point. You can now double-click the effects panel to apply effects to a selected layer and drop 2D effects directly onto layers in the viewer. You can now drag and drop a variety of special effects on to your video. I hope the developers revisit the interface color scheme again and refine it a bit – or even better, continue to offer interface color choices in the default free version. The dark interface is available for first time users only if they purchase a starter pack for $9. If you were lucky enough to have owned previous versions of the app, the upgrade gives you the choice of either the dark or light interface. I found the white interface way too bright and the contrasting orange color has an almost iridescent quality that goes poorly with video interfaces. With the new version comes a light face, which is bound to distract some longtime users. Until now, HFE has sported a classic dark gray interface that’s been the style for most pro-level video editing apps. Version 14’s interface is as different from the previous version as night is to day - literally. HitFilm Express is stable and moves smoothly without stuttering through operations.Ī new light interface is now the default, though owners of previous versions can revert to the original dark interface for free. HitFilm is a pro tool and the company says that it functions best with hardware that has discrete graphics, but we find that it is also usable on some integrated graphics systems as well, including consumer-oriented Mac and Windows machines. HitFilm Express 14: Hardware requirements Regardless of what you want to do, you can find a quick and easy way to accomplish it while having the opportunity to learn and do much more, if you want. HitFilm Express does all that without limiting or funneling users into a specific workflow. What also sets HitFilm apart from other free packages is that it concentrates on giving users the tools they crave for tasks they perform most often, such as text and titles, integrated special effects, green screen, transitions, export flexibility, and the ability to use and create presets for the exact output destination of their movie. Among the major things we appreciate about HitFilm Express is that it is truly free in its basic form and, unlike some other packages, does not conflate or confuse users with free vs.
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